Chennai:
In a bid to boost art in open spaces in
the city and a add a new lease of life to MRTS stations, Goethe Instut is
planning first of planned artistic activities in Thiruvamiyur rapid
transit system Station.
Speaking at a three-day symposium ‘Human
Space – Cultural Space: on Urban Ethics’ here on Thursday, Karl Pechatscheck,
director of Goethe-Instut Chennai said an exhibition titled Chennai 24/7 wil be
inaugurated on Wednesday.
The expo will present photos from
professionals and amateurs as a result of workshop conducted by Travelling Lens.
In addition we will present a German
Jazz ensemble ‘Lautstark 4’ together with Chennai born guest musician Ramesh
Shotham at Thiruvanmiyur station, he said.
Presenting art projects in public spaces
has a double function. On one hand they make art public besides creating art
space as social space, he said.
He also said that large extent of ‘art
in open spaces’ is unknown in Chennai, except from traditional, mostly
religious formats and historic sculptures.
“Because there is no public space as a
space of social encounter in the western sense of the word, the production
artist activity meets a dilemma. The urban audience even in small numbers must
be gained even to spot the open space,” he said.
He
also felt that Chennai’s urban development
is affected by an infrastructure that is not keeping up with the growth of
population.
Pechatscheck said existing or planned
metro projects are destroying traditional dwelling zones and rivers leaving
behind slums besides adding ecological damage due to conditions of waste
disposal.
He said rail stations in the city fail
to provide urban life a living face and are no centres of communication, no
meeting points, which can give urban life a living space.
“The rapid transit system Stations
are gigantic blocks of buildings, nearly empty, dreary, stinking, without any
infrastructure and often hardly accessible,” said Pechatscheck.
“They are not cross-linked with the
surroundings. Even adjacent shopping malls ignore their existence,” he said.
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